watch ;

“The Maltese Falcon” – director, John Huston (1941)

Please answer:

1. Do any narrative or visual patterns recur a sufficient number of times to suggest a structural element in themselves? If so, what are these patterns? Do they help you determine the meaning of the film?

2. Do you identify with the camera lens? What does the director compel you to see? What is left to your imagination? What does the director leave out altogether? In the end, besides showing you the action, how does the director’s use of the camera help to create the movie’s meaning?

 

 

The post “The Maltese Falcon” – director, John Huston (1941) first appeared on COMPLIANT PAPERS.