a. WHAT MICHAEL SORKIN CALLS “THE EXPRESSIVE POSSIBILITIES OF PURPOSE” CAN BE SEEN IN MUCH 18TH-19TH CENTURY DESIGN, BUT IT WAS OFTEN ENTANGLED WITH IDEAS OF CLASSICISM OR MEDIEVALISM AS A SAFETY NET OF TRADITION.
b. ARGUMENTS AS TO WHAT APPROACH TO STYLE BEST FIT MODERN HUMANS’ INTERACTION WITH NATURE TOOK MANY FORMS.
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