Part 2: After the rhetorical analysis of Morris’s cinematic strategies, you should then transition to Richard Sherwin’s The Postmodern Challenge, explaining how it complicates viewers’ understanding of the film. What non-linear, acausal narratives does Sherwin identify that complicate the case supporting Adams’s innocence, and why are they abandoned by the end of the film? Why, according to Sherwin, do viewers disregard the non-linear, acausal narratives? In other words, what expectations do viewers bring to criminal and courtroom narratives, and how do their expectations limit their ability to perceive and judge reality?
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